About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. An admirer of the painter Jean-Léon Gérôme, Weeks relocated to Paris in 1872 and trained in Paris at the studio of Léon Bonnat. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light.

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Steps of the Mosque Vazir Khan, Lahore

Steps of the Mosque Vazir Khan, Lahore

Steps of the Mosque Vazir Khan, Lahore captures a vibrant moment of daily life against the backdrop of Mughal architectural splendour. The painting showcases the richly adorned façade of the Wazir Khan Mosque, with its intricate tile-work and arched entrances. Figures in traditional attire gather on the steps—some seated, others engaged in conversation—while two elaborately dressed horsemen add a sense of movement and grandeur. Weeks masterfully blends architectural detail with human activity, evoking the cultural richness of 19th-century Lahore. The warm palette and precise brushwork reflect his fascination with Orientalist themes and Indian urban life.

About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. An admirer of the painter Jean-Léon Gérôme, Weeks relocated to Paris in 1872 and trained in Paris at the studio of Léon Bonnat. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light.

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Steps of the Mosque Vazir Khan, Lahore captures a vibrant moment of daily life against the backdrop of Mughal architectural splendour. The painting showcases the richly adorned façade of the Wazir Khan Mosque, with its intricate tile-work and arched entrances. Figures in traditional attire gather on the steps—some seated, others engaged in conversation—while two elaborately dressed horsemen add a sense of movement and grandeur. Weeks masterfully blends architectural detail with human activity, evoking the cultural richness of 19th-century Lahore. The warm palette and precise brushwork reflect his fascination with Orientalist themes and Indian urban life.

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