About Artist

Amrita Sher-Gil was a pioneering Hungarian-Indian painter (1913-1941). Often called the “Indian Frida Kahlo”, she blended Western art techniques with Indian themes, depicting everyday life and the struggles of women. Her vibrant, emotive style made her a key figure in modern Indian art.

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Self-Portrait

Self-Portrait

This Self-Portrait is a striking early work that reflects the artist’s evolving identity and self-awareness. Painted when she was just 18, the portrait showcases her technical mastery and psychological depth. Sher-Gil presents herself with a somber expression, direct gaze, and minimalist background, emphasizing introspection over ornamentation. The chiaroscuro lighting enhances the dramatic tension, while her dark attire and tightly pulled-back hair draw attention to her face, hinting at both vulnerability and strength. The work reflects European influences, especially of Post-Impressionism and academic realism, stemming from her training in Paris. Yet, it also subtly anticipates the cultural duality she would explore later—between her Hungarian-Indian heritage and the Western art world. This Self Portrait is not merely a likeness but a complex assertion of selfhood, agency, and ambition, marking the emergence of one of India’s most significant modern artists. It is both intimate and boldly self-defining.

About Artist

Amrita Sher-Gil was a pioneering Hungarian-Indian painter (1913-1941). Often called the “Indian Frida Kahlo”, she blended Western art techniques with Indian themes, depicting everyday life and the struggles of women. Her vibrant, emotive style made her a key figure in modern Indian art.

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Description

This Self-Portrait is a striking early work that reflects the artist’s evolving identity and self-awareness. Painted when she was just 18, the portrait showcases her technical mastery and psychological depth. Sher-Gil presents herself with a somber expression, direct gaze, and minimalist background, emphasizing introspection over ornamentation. The chiaroscuro lighting enhances the dramatic tension, while her dark attire and tightly pulled-back hair draw attention to her face, hinting at both vulnerability and strength. The work reflects European influences, especially of Post-Impressionism and academic realism, stemming from her training in Paris. Yet, it also subtly anticipates the cultural duality she would explore later—between her Hungarian-Indian heritage and the Western art world. This Self Portrait is not merely a likeness but a complex assertion of selfhood, agency, and ambition, marking the emergence of one of India’s most significant modern artists. It is both intimate and boldly self-defining.

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