About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. In 1872 Weeks relocated to Paris, becoming a pupil of Léon Bonnat and Jean-Léon Gérôme. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light.

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Royal Procession of Maharana of Mewar

Royal Procession of Maharana of Mewar

Royal Procession of Maharana of Mewar (1895-1902) vividly captures the grandeur of a ceremonial procession in Udaipur, India. The artwork depicts the Maharana, adorned in regal attire, riding an elaborately attired elephant through the Palace Gates on to the bustling street. Vibrant colors and intricate details highlight the opulent costumes, ornate architecture, and lively crowd, evoking the splendor of Rajput royalty. Weeks’ signature Orientalist style emphasizes exoticism, with dramatic contrasts of light and shadow. The composition reflects his fascination with Indian culture, blending meticulous observation with romanticized flair, showcasing a moment of majestic pageantry frozen in time.

About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. In 1872 Weeks relocated to Paris, becoming a pupil of Léon Bonnat and Jean-Léon Gérôme. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light.

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Royal Procession of Maharana of Mewar (1895-1902) vividly captures the grandeur of a ceremonial procession in Udaipur, India. The artwork depicts the Maharana, adorned in regal attire, riding an elaborately attired elephant through the Palace Gates on to the bustling street. Vibrant colors and intricate details highlight the opulent costumes, ornate architecture, and lively crowd, evoking the splendor of Rajput royalty. Weeks’ signature Orientalist style emphasizes exoticism, with dramatic contrasts of light and shadow. The composition reflects his fascination with Indian culture, blending meticulous observation with romanticized flair, showcasing a moment of majestic pageantry frozen in time.

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