About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. In 1872 Weeks relocated to Paris, becoming a pupil of Léon Bonnat and Jean-Léon Gérôme. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light

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Palace & Lake at Sarkej, Ahmedabad, India

Palace & Lake at Sarkej, Ahmedabad, India

Palace and Lake at Sarkej, Ahmedabad (1893) is a vibrant Orientalist work capturing the serene beauty of Ahmedabad, India. This painting depicts rajah’s pleasure boat on a tranquil lake reflecting a majestic palace (actually mausoleum complex), set against a backdrop of the old mango trees behind forming a fine contrast to the blue water and distant architecture. Weeks’ meticulous brushwork emphasizes the intricate details of the palace’s arches and the shimmering water, bathed in warm, golden light. Figures in traditional attire animate the scene, evoking daily life. The painting blends realism and romanticism, showcasing Weeks’ fascination with Indian landscapes and culture.

About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. In 1872 Weeks relocated to Paris, becoming a pupil of Léon Bonnat and Jean-Léon Gérôme. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light

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Description

Palace and Lake at Sarkej, Ahmedabad (1893) is a vibrant Orientalist work capturing the serene beauty of Ahmedabad, India. This painting depicts rajah’s pleasure boat on a tranquil lake reflecting a majestic palace (actually mausoleum complex), set against a backdrop of the old mango trees behind forming a fine contrast to the blue water and distant architecture. Weeks’ meticulous brushwork emphasizes the intricate details of the palace’s arches and the shimmering water, bathed in warm, golden light. Figures in traditional attire animate the scene, evoking daily life. The painting blends realism and romanticism, showcasing Weeks’ fascination with Indian landscapes and culture.

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