About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. An admirer of the painter Jean-Léon Gérôme, Weeks relocated to Paris in 1872 and trained in Paris at the studio of Léon Bonnat. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light.

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Lake at Oodeypore, India

Lake at Oodeypore, India

Lake at Oodeypore, India captures a tranquil lakeside scene bathed in soft light, showcasing the artist’s mastery of atmosphere and architectural detail. Women bathe and wash on the steps to the left, while a white marble pavilion with elegant arches and a dome rises from the lake’s center, its reflection shimmering in the water. In the distance, mist-veiled palaces crown the hills, adding depth and grandeur. Weeks’ composition blends human activity with majestic surroundings, evoking both serenity and cultural richness. The painting exemplifies his Orientalist style and deep engagement with Indian landscapes and daily life.

About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. An admirer of the painter Jean-Léon Gérôme, Weeks relocated to Paris in 1872 and trained in Paris at the studio of Léon Bonnat. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light.

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Description

Lake at Oodeypore, India captures a tranquil lakeside scene bathed in soft light, showcasing the artist’s mastery of atmosphere and architectural detail. Women bathe and wash on the steps to the left, while a white marble pavilion with elegant arches and a dome rises from the lake’s center, its reflection shimmering in the water. In the distance, mist-veiled palaces crown the hills, adding depth and grandeur. Weeks’ composition blends human activity with majestic surroundings, evoking both serenity and cultural richness. The painting exemplifies his Orientalist style and deep engagement with Indian landscapes and daily life.

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