About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. In 1872 Weeks relocated to Paris, becoming a pupil of Léon Bonnat and Jean-Léon Gérôme. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light.

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Craftsman Selling Cases by a Teak-Wood Building, Ahmedabad

Craftsman Selling Cases by a Teak-Wood Building, Ahmedabad

Craftsman Selling Cases by a Teak-Wood Building, Ahmedabad (1885) captures a richly textured street scene in colonial India. Two mounted Rajput nobles inspect inlaid wood boxes at a craftsman’s stall, set against the backdrop of intricately carved teak architecture. Weeks masterfully renders the interplay of surfaces – from the smooth skin of the artisan to the ornate saddles and monumental corbels. The subdued lighting evokes the shaded alleys of Ahmedabad, enhancing the painting’s quiet intimacy. This work exemplifies Weeks’ fascination with Indian urban life and his reverence for its architectural marvels.

About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. In 1872 Weeks relocated to Paris, becoming a pupil of Léon Bonnat and Jean-Léon Gérôme. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light.

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Description

Craftsman Selling Cases by a Teak-Wood Building, Ahmedabad (1885) captures a richly textured street scene in colonial India. Two mounted Rajput nobles inspect inlaid wood boxes at a craftsman’s stall, set against the backdrop of intricately carved teak architecture. Weeks masterfully renders the interplay of surfaces – from the smooth skin of the artisan to the ornate saddles and monumental corbels. The subdued lighting evokes the shaded alleys of Ahmedabad, enhancing the painting’s quiet intimacy. This work exemplifies Weeks’ fascination with Indian urban life and his reverence for its architectural marvels.

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