About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. In 1872 Weeks relocated to Paris, becoming a pupil of Léon Bonnat and Jean-Léon Gérôme. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light.

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Gharry (Bullock Cart) before Shops & Houses, Ahmedabad, India

Gharry (Bullock Cart) before Shops & Houses, Ahmedabad, India

Gharry (Bullock Cart) before Shops & Houses, Ahmedabad, India captures a vibrant street scene in colonial-era Gujarat. A richly adorned bullock cart, shaded by a canopy, rests before shops with ornately carved wooden balconies. A large piece of fabric is draped across a shop front. Locals in traditional attire gather nearby—some engaged in conversation, others carrying out their routines. The architecture, with its intricate latticework and hanging textiles, reflects the region’s craftsmanship and cultural depth. Weeks’ masterful use of light and color evokes the warmth and bustle of daily life. This painting is both a documentary and a romanticized glimpse into 19th-century India’s urban charm.

About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. In 1872 Weeks relocated to Paris, becoming a pupil of Léon Bonnat and Jean-Léon Gérôme. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light.

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Gharry (Bullock Cart) before Shops & Houses, Ahmedabad, India captures a vibrant street scene in colonial-era Gujarat. A richly adorned bullock cart, shaded by a canopy, rests before shops with ornately carved wooden balconies. A large piece of fabric is draped across a shop front. Locals in traditional attire gather nearby—some engaged in conversation, others carrying out their routines. The architecture, with its intricate latticework and hanging textiles, reflects the region’s craftsmanship and cultural depth. Weeks’ masterful use of light and color evokes the warmth and bustle of daily life. This painting is both a documentary and a romanticized glimpse into 19th-century India’s urban charm.

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