About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. In 1872 Weeks relocated to Paris, becoming a pupil of Léon Bonnat and Jean-Léon Gérôme. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light.

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Banganga Tank & Walkeshwar Temple at Bombay

Banganga Tank & Walkeshwar Temple at Bombay

Banganga Tank & Walkeshwar Temple at Bombay (1893) captures a tranquil, sunlit scene of one of Mumbai’s oldest sacred sites. The composition centers on the ancient Banganga Tank, its still waters reflecting the surrounding stone steps and temple architecture. Pilgrims and locals, dressed in traditional attire, gather at the ghat, engaging in daily rituals and bathing. The Walkeshwar Temple rises in the background, adorned with detailed carvings and domes. Weeks’ masterful use of light and perspective conveys both spiritual serenity and the vibrant life of the location, blending realism with a romantic, exoticized view of colonial India.

About Artist

Edwin Lord Weeks (1849-1903) was an American Orientalist painter known for vivid depictions of Middle Eastern and Indian scenes. In 1872 Weeks relocated to Paris, becoming a pupil of Léon Bonnat and Jean-Léon Gérôme. He traveled extensively through Asia, capturing bustling bazaars, architecture, and daily life with remarkable detail and atmospheric light.

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Description

Banganga Tank & Walkeshwar Temple at Bombay (1893) captures a tranquil, sunlit scene of one of Mumbai’s oldest sacred sites. The composition centers on the ancient Banganga Tank, its still waters reflecting the surrounding stone steps and temple architecture. Pilgrims and locals, dressed in traditional attire, gather at the ghat, engaging in daily rituals and bathing. The Walkeshwar Temple rises in the background, adorned with detailed carvings and domes. Weeks’ masterful use of light and perspective conveys both spiritual serenity and the vibrant life of the location, blending realism with a romantic, exoticized view of colonial India.

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